Harriet Klausner's Review Archive
Former resident New Orleans reporter Ruth Ann Daigle comes home to care for her dying father, the owner of the Richelieu newspaper. Investigating is in her genes and so she breaks the golden rule of minding ones business and makes inquiries into the death of tenant farmer Ti Boy, who killed himself while cleaning his gun. Although Sheriff Bobby Boudreaux as Papoot's son-in-law knows how he got the job and not to alienate the hand that feeds him, he considers joining Ruth Ann on her investigation partially because he finds her beautiful and intelligent while his spouse is an obese queen.
This historical mystery provides a powerful look at 1950s Bayou country with a host of local eccentric characters who turn from benign to deadly as the investigation begins to close in on what happened, something the leaders want buried. The story line is at its strongest as a period piece than as a crime thriller that loses some momentum with a second suicide. Still a pinch of voodoo mixed in with an interesting glimpse of the past starring solid casting leads to a fine tale though the uncovering of the truth seems anti-climatic just prior to the Billy Cannon era.